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9The possibilities of paradox: decolonial Shakespeare process in practice. 5The erotic of abstinence: refusing the white-possessive and embracing settler abstinence in performance pedagogy. 7Representation matters: the why and how of decolonizing Stanislavski actor training.
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.